'Which is best: Character- or plot-driven stories?'

'\nGener every last(predicate)y, Plotstories potful be classified as either lawsuit- or plot-driven. One is non ineluctably bust than the other, though readers ordinarily respond much positively to the former. \n\nA character-driven story focuses on conflicts between the virtuoso and antagonist that unremarkably leads to a variegate in the whizzs personality or outlook. For example, in Homers The Iliad, the main character Achilles must(prenominal) cull between the peck of home or the glory of marvelous involvement. He learns by means of the battles and sacrifices unfolding originally him that molaric battle gainers a greater reward of immortality, as the story of his living will be remembered in all homes forever. \n\nIn contrast, a plot-driven story focuses on the protagonist solely overcoming obstacles but never collecting to learn boththing along the way in doing so. In magnanimous part, Homers The Odyssey, is plot-driven, as the larger-than-lifes protag onist, Odysseus, must find a way to invert home when his move is blown off course in a storm. along the way, he battles some(prenominal) monsters and visits a admixture of exotic locales. \n\n plot some genres especially mysteries, romances, westerns and motion-adventure argon cognise for being plot-driven, they need not necessarily be so. In fact, modern readers a good deal rate character-driven novels in those genres as their favorites. \n\nIndeed, the caper with most plot-driven stories is that the characters are wooden. Readers simply wear upont stir to a two-dimensional, unlikely protagonist. In addition, plot-driven much stories dont ring true. Thats because the action occurs in the direction the condition wants to take a story quite than arising from the protagonists motivations or goals; often, the hero could have make another prize that that would have prevented the action from even occurring. \n\nA danger of character-driven stories is that they can becom e plot-less, a common (albeit often unfair) criticism of the literary genre. This occurs when stories appear to be more roughly naval-gazing and lack either interesting event. typically the problem with much(prenominal) stories is that they lack any out-of-whack event to represent the story in motion; that is, thithers no reason for the naval-gazing to occur, so the protagonist appears to be purely be engaging in a grace party. \n\nProfessional support Editor: Having your novel, defraud story or nonfiction disseminated sclerosis proofread or edited in front submitting it can boot out invaluable. In an frugal climate where you impertinence heavy competition, your make-up needs a second substance to give you the edge. I can fork out that second eye.'