Hidden City Life in Two Works of Literature

identification\nCompare the depiction of the recondite life of the city in the Tempter, Night Walks, and the subsection c completelyed The twosome from Michael Ondaatjes novel, In the Skin of a Lion.\n\nResponse\nBuildings and structures are seen, sustaind, interacted with and remembered either single day by thousands of different people from either walks of life. Some buildings are historically significant and others seemingly cast no hi spirit level at all. Despite the history of the buildings, structures etcetera, what they all have in crude is the lives that have inhabited and influenced them. to each one structure has a story of its own, well known or not, which is significantly important. The writings of Charles hellion in his piece Night Walks , and Michael Ondaatjes section from In the Skin of a Lion, The Bridge, both(prenominal)(prenominal) accurately reveal the hugger-mugger stories and lives of these structures by their use of imagery, avatar and in dep th geographic expedition of what lies behind the presumed. In doing so, both authors are able to successfully project a more in depth cause of either walking by means of the streets of capital of the United Kingdom alongside dickens, or experiencing the construction of the Bloor Street viaduct (the bridge) show in Ondaatjes writing.\nIn Charles Dickens Night Walks the endorser is led alongside Dickens himself throughout his walks in capital of the United Kingdom after dark in an attempt to help be cured _or_ healed his insomnia. What Dickens discovers is a soil new side of London, a place that before his walks he was sure that he knew sort of well. Through the use of imagery, Dickens brings his readers closer to the sensory experience of actually walking the streets of London themselves; Walking the streets in the pattering fall ; Drip, drip, drip, from ledge and coping, splash from pipes and water-spouts, and afterwards the houseless shadow would fall upon the stones. .. ; The tremendous moon and clouds were as quick as an evil moral sense in a tumbled bed, and the really shadow of th...